Aaron Pino, Secretary-Treasurer

The Local 72-147 Life Insurance Benefit

I want to write to you today about one of the benefits of your membership in our Local – the $2000 Death Benefit. We are one of the last of the AFM Locals that are still maintaining this type of benefit for our members. If you are still a member in good standing at the time of your death, all your beneficiary needs to do is provide us with an original of the death certificate, and we will take care of the rest. We have a Death Benefit Fund set up in our own Musicians Federal Credit Union to which we contribute periodically from the General Fund, so it is a self-funded benefit, not connected with any insurance company.

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Beginning a New Season of Music – Under the COVID-19 Pandemic.

It has been quite the summer for everyone, but especially so for musicians. With all the of the ups and downs, shutdowns and restarts, controversies over mask wearing, and a summer spike in infection – right here in North Texas – things have remained constant for musicians. As our work requires the gathering of our audiences (and for us too!) the reality is that we will not be able to return to work like normal as long as the Pandemic continues. After the shock of the shutdown last spring and finding an immediate response to it, this summer began the work for us forging a path FORWARD.

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The Music Will Play On

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Dear Local 72-147 Members,

I address you now as we all address one of the greatest crises in our union’s history, and in fact, in our nation’s history. We musicians are affected by COVID-19 in an especially personal way. As we were among the very first to feel the economic burn that gathering restrictions and social distancing reeked upon our complete industry, we have sustained a blow at our very core. Beyond the very real economic affects of the shutdown and the dangers to public health, we are further made to stop doing that which brings us life. As we now are kept from coming together to make music in groups, and share that collaboration with our audiences, we wonder when our work, our livelihoods, our mission will be allowed to return. And yet I am seeing our music survive and sing through the void, and our union stepping up to the challenge.

Legislative Advocacy at the time of Crisis

From the moment that the shutdown of the entertainment industry became a previously unimaginable reality, the AFM came together through an immediate campaign to have legislation introduced, which would provide relief for working people in the entertainment industry – every bit as crucial to the economy as the cruise ship, airline and travel industries. After the Families First Coronaviris Response Act was signed into law expanding paid leave and unemployment benefits, mandating paid sick leave and free coronavirus testing, most gig workers in the entertainment industry were still not provided for. After a renewed campaign from the AFM Legislative Department and a letter writing campaign by our members across the nation, unemployment relief was extended to independent contractors for the first time through the CARES Act, signed into law on March 27. Also included in this legislation is added support of the arts through increased funding of the National Endowment of the Arts, and through the SBA’s Payroll Protection Program’s forgivable loans. Here in DFW, our three largest employers of musicians were greatly helped to maintain payroll and benefits to our musician

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Aaron Pino, Secretary-Treasurer

Protect Yourself By Filing Contracts

Every year we have several requests from members who work freelance for help concerning a problem with a job. Usually, they either haven’t been paid at all, or were paid too little. Sometimes it involves working conditions. Unfortunately, usually the person(s) requesting assistance did not use a union contract on the gig. Sometimes we are able to help them get a satisfactory outcome anyway, but if you are working without a signed contract, you are at risk of losing your pay, as there is little the local or the AFM can do legally without an agreement.

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Participation in Committees, Membership Meetings & Events

I hope everyone has had a wonderful Thanksgiving this year, and wish you all the best as we gear up for another great holiday season this December.

This time of year we always look back on the year, its ups and downs, and plan forward for the next year. At our last Membership meeting on November 11, we had a discussion about making more of these meetings, increasing attendance, and our sense of community in our local. After a discussion of how member participation is how we really make our union stronger, one member who had just joined this year commented: “Ask not what your union can do for you, but what you can do for your union…”

We carried this discussion on to our next Executive Board meeting, and from this arose plans to build new standing committees with the purpose of bringing our union more together and getting more done. We are beginning with a Member Engagement Committee to help schedule and plan our Membership Meetings and Orientations, and develop them into really special events. Our first of these is scheduled for the morning of February 22. We are looking for folks to help come up with ways to program the events so they bring special opportunities to our members, along with access to union business, discussion and fellowship. Please contact me or Frederick Nichelson, who has volunteered to chair this committee as we get it going. Let us know soon, as February 22 will be here sooner than we all think!

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The Convention, New Initiatives, Pension Struggle, Negotiations and Fighting the Union Busters

It has been quite a year so far for us here in Local 72-147. We have begun new initiatives, made new friends, taken on new challenges, and continue to stand up to enforce our agreements. One of our priorities this year has been to develop new relationships and improve the communication and effectiveness of those we already have. We do this to strengthen our position as we move into a new season of music making where we will be renegotiating many new agreements and reaching out to the community.

In terms of reaching out we have a new series that is a result of our relationship with Klyde Warren Park in dowtown Dallas and the efforts of our members working together to broaden our footprint in the community. This “Musicians in the Park” series debuted last April. An adaptation of the Meet and Greet & Jam Sessions that we began doing throughout the community last year, we put together a concert featuring a house band jamming with featured members and reaching out to non members as well. This concert was more than a recruitment event though. It was an opportunity to speak directly to the city about our mission of being there for musicians, and not just any musicians, but OUR musicians. The musicians who are the musical voices of our home and city. Artistically the concert was an amazing success, gave us a moment to celebrate who we are and what we do, have some fellowship, and show the community how important we are to its cultural life. We are making plans for a follow up to this event, and are working to put together another diverse and quality program that people will come to see as a destination event.

We also, through MPTF funding, collaborated with Klyde Warren Park to bring music to the first ever Memorial Day Music Fest at the park. Sponsoring the East Stage during this one day festival, an estimated forty thousand people came to enjoy. Plans for this festival next year have already begun with the intention of improving on this already great success. We are so pleased to enhance the festival seas

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Pension Update: Critical & Declining Status Projected – What to Expect

As of March 31, the AFM-EPF’s fiscal year of 2018-19 has come to an end. In February, we were notified that actuaries project a strong likelihood that the Fund will enter “critical and declining” status after being in critical status since 2010. You may find the text of the full notification, which is posted on afm-epf.org. 

Over the next two months, the Fund’s actuaries will collect and analyze the year-end data and prepare actuarial projections to determine whether our Fund will remain in “critical” status or move into “critical and declining” status for the new fiscal year.

I recommend that you visit the Fund’s Website and check out the “Staying Informed” tab for more detailed explanation, but I wanted to provide as clear an explanation here as possible.

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Aaron Pino, Secretary-Treasurer

Financial Assistance In Time of Need

One of the most under-publicized things a union does is to help people in need. Examples from the recent past include the plumbers union donating their time to install pipes and filters for people with poisoned water in Flint, Michigan; and here in Texas, many unions donated food, labor, and financial assistance to Hurricane Harvey victims, including the AFM. As President Williams has written, musicians can be the most vulnerable people in the world when health crises occur – even a short illness can result in critical lost income beyond the cost of health care. I wanted to bring to your attention to four different resources where you can get help for yourself or a fellow member in need of financial assistance due to illness, injury, or disability.

First, our local has its own fund in our Musicians Federal Credit Union called the Bill Collins Benefit Fund, which was established by Bill Collins III in honor of his father, Bill Collins Jr. Its purpose is to help members who are temporarily unable to work as a musician, or are in need of financial assistance, for medical reasons.

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Bargaining Unit Report: FWSO

by The FWSO Players’ Committee

Two recent appointments have brought great optimism to the musicians of the Fort Worth Symphony: Dr. Keith Cerny began his tenure as President and CEO in January, and last week came the announcement that Robert Spano will join us as Principal Guest Conductor in the 20/21 season.
We’re confident that Keith Cerny will bring the same quality of fresh thinking and innovation that he brought to the Dallas Opera, where he established the Hart Institute for Women Conductors, oversaw the commissioning of several new operas, and led the music director search that culminated in the hiring of Emmanuel Villaume. He remains popular with the musicians of the Dallas Opera Orchestra.

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